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Blues Beat

The Cash Box Kings Resurrect Vintage Blues Vibes with "Oscar’s Motel"


The Cash Box Kings – Oscar’s Motel

11 tracks


The Cash Box Kings, stalwarts of the Chicago blues scene since 2001, return with a soulful tribute to the traditional Chicago blues sound in their latest release, "Oscar’s Motel," under the Alligator Records banner. The band, comprising Oscar Wilson (vocals), Joe Nosek (harmonica, acoustic guitar), Kenny “Beedy Eyes” Smith (drums), John Lauler (bass), Billy Flynn (guitar), and Lee Kanehira (keyboards), showcases not only their exceptional musical prowess but also a fresh take on classic blues storytelling.


"Oscar’s Motel" also boasts the contributions of special guests John Nemeth, Deitra Farr, Cameron Webb, Al Falaschi, and Jim Doherty.


The album kicks off with the welcoming title track, "Oscar’s Motel," setting the stage for the listener with lyrics that exude warmth and hospitality. The Howlin’ Wolf influence is palpable, creating an immersive experience reminiscent of the classic Chicago blues era. The second track, "Down on the South Side," masterfully transports listeners to the heart of a blues club with vivid imagery and soulful instrumentation.


"I Can’t Stand You," a playful collaboration with Deitra Farr, delves into the roller-coaster dynamics of relationships. John Nemeth joins the ensemble for the cleverly titled "I Want What Chaz Has," a song exploring the theme of intense envy. Nemeth's distinct vocals add depth to this track, showcasing the band's versatility.


The album includes two classic covers that pay homage to blues legends. The Cash Box Kings tackle Muddy Waters' "Please Have Mercy," skillfully navigating the challenge of interpreting a Little Walter classic. The result is a faithful rendition that honors the original while infusing the band's unique energy. Sonny Boy Williamson II's "Pontiac Blues" is another highlight, capturing the essence of the Chicago blues tradition.


Taking a more serious tone, "Nobody Called it the Blues" commences with a haunting acapella gospel introduction, seamlessly transitioning into an educational exploration of slavery. Guest vocalist Cameron Webb adds a poignant touch to this track, contributing to its emotional impact.


"Oscar’s Motel" stands out as an album with no weak points, offering a refreshing blend of old-school blues authenticity and contemporary energy. The Cash Box Kings masterfully balance homage to the blues legends of yesteryear with a creative reinterpretation that breathes new life into the genre. In an era where the blues continues to evolve, The Cash Box Kings prove that the heart and soul of Chicago blues remain alive and well.

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