Sue Foley – Live In Austin Vol.1
Guitar Woman Records
11 tracks/44 minutes
In the pantheon of blues guitarists, few names resonate with the dynamism and soulful verve of Sue Foley. This live album, recorded at the iconic Continental Club in Austin, captures Foley not just as a musician but as a force of nature, seamlessly blending her guitar prowess with vocal intensity that echoes through the realms of blues and beyond.
Since her teens, Foley has honed her craft, evolving from a budding guitarist in Canada to an internationally acclaimed artist. Her journey, significantly marked by her encounter with Clifford Antone, has seen her evolve into a guitar goddess, melding her deep blues roots with a flair that's distinctly her own. Her 1992 debut, "Young Girl Blues," set the stage, and three decades later, Foley's live album is a testament to her enduring artistry and innovation.
This album is more than just a collection of songs; it's a sonic experience. With Sue Foley on guitar and vocals, the ensemble includes John Penner's steadfast bass, Corey Keller's rhythmic drums, Derek O’Brien's complementary guitar, and the harmonious backing vocals and tambourine of Angela Miller and Lauren Cervantes. The setlist—a mix of three originals and six covers—reflects Foley's eclectic taste and her ability to infuse classic tracks with her unique style.
The live recording kicks off with "New Used Car," a track that showcases Foley's ability to blend storytelling with her guitar's emotive language. The transition to "Walkin' Home" and "Highwayside" illustrates her versatility, moving from energetic riffs to more introspective melodies, all while maintaining a palpable connection with her audience.
Foley's interpretation of Willie Dixon’s “Howlin’ For My Darlin’” is a highlight, transforming the classic into a Foley signature with its heartfelt delivery and nuanced guitar work. The inclusion of “Positively 4th Street” and “Me And My Chauffeur Blues” showcases her skill in navigating diverse musical landscapes, making each song distinctly her own while paying homage to their origins.
The album closes with "High Roller," a nod to Cheap Trick, reinterpreted with a bluesy twist and delivered with the intensity and passion that Foley is known for. It's a fitting end to a live set that not only celebrates her musical journey but also anticipates what's to come.
For fans of Sue Foley, this album is a treasure trove of live energy and musical finesse. It serves as a vibrant reminder of her guitar virtuosity and her ability to connect with the essence of the blues. As Volume 1 suggests, this is just the beginning of a series that will continue to showcase Foley's evolution as an artist who remains at the forefront of her genre, a beacon for aspiring musicians and a testament to the enduring power of the blues.
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