Selwyn Birchwood – Exorcist
Alligator Records – 2023
13 Tracks; 58 minutes
Selwyn Birchwood, the Florida-born blues maestro, has once again unleashed his musical ingenuity with the release of "Exorcist" under the prestigious Alligator Records. Known for infusing blues with elements of funk and jazz, Birchwood has carved a niche for himself in the genre, creating a sound that's both contemporary and uniquely his own. Produced by the highly acclaimed Tom Hambridge, "Exorcist" is a 13-track journey into Birchwood's musical universe, featuring a talented ensemble of musicians who contribute to the album's rich and diverse sonic tapestry.
The opening track, "Done Cryin'," sets the stage with a catchy rock-blues vibe, showcasing Birchwood's signature spin on the genre. From there, the album unfolds with a fascinating array of rhythms and tempos, each track revealing Birchwood's multifaceted approach to the blues. Backed by exceptional musicians, including Regi Oliver on saxophones, Donald "Huff" Wright on bass guitar, Byron "Bizzy" Garner on drums, and Ed Krout on keyboards,
Birchwood creates a musical landscape that's both intricate and captivating.
One of the standout moments on the album is the gospel-influenced "Lazarus," where Regi Oliver's saxophone adds a beautiful and soulful dimension. Throughout the album, the chemistry between the musicians is evident, contributing to the overall richness of the sound. Birchwood also invites guest artists, including Jim McKaba on piano and Andrew Gohman on upright bass, enhancing the album's sonic depth.
"Call Me What You Want To" introduces a slightly retro feel, deviating from Birchwood's contemporary sound. It's a track that intrigues and adds a layer of diversity to the album. Birchwood's willingness to experiment with different styles and sounds is a testament to his artistic versatility.
Lyrically, "Exorcist" is a testament to Birchwood's keen observations and sharp sense of humor. In "Florida Man," he playfully highlights the bizarre headlines associated with Floridians, creating a humorous yet thought-provoking commentary on the state's peculiarities. Birchwood's tongue-in-cheek approach continues in love songs like "I love you like the church loves money," injecting humor into heartfelt expressions.
However, Birchwood doesn't shy away from exploring deeper emotions. Tracks like "My Own Worst Enemy" delve into the struggles of negative self-talk, a theme that resonates universally. The album also features a poignant and uplifting track, "Plenty More to be Grateful For," delivering a message of hope and gratitude in challenging times.
Birchwood's vocals, deep and soulful, serve as the perfect vehicle for delivering these exceptional lyrics. While he may not boast the widest vocal range, his voice becomes an instrument in conveying the emotional nuances of each story.
In "Exorcist," Selwyn Birchwood has once again proven his prowess as a blues innovator. The album is a testament to his ability to seamlessly blend genres, infuse humor into poignant narratives, and create a musical journey that is as entertaining as it is introspective. For fans of contemporary blues with a unique twist, "Exorcist" is a must-add to their collection, showcasing Birchwood's unparalleled musicality and storytelling finesse.
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