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Blues Beat

Little G Weevil Strikes Gold with 'If I May': A Blues Odyssey Through Tradition and Innovation


Little G Weevil – If I May

Self-release

10 songs – 40 minutes


Little G Weevil, a two-time Blues Blast Music Award nominee, has once again graced the blues scene with his latest self-released album, "If I May." This 10-track masterpiece is a testament to Weevil's prowess in crafting traditional blues music that seamlessly blends with swing, ragtime, and jazz influences.


The opening track, "Yoga Girl (Hold Me Close)," immediately establishes the album's vibe—a classic blues style infused with modern lyrical perspectives. Weevil, handling guitars and lead vocals, is supported by an outstanding ensemble featuring Mr. Jambalaya on piano and backing vocals, K.C. Brown on harmonica and backing vocals, Csaba Pengo on upright bass and backing vocals, and Tom Kiss on drums. Gabor Vastag also contributes backing vocals on two tracks.


Weevil's songwriting shines throughout the album, and the band's chemistry elevates each composition. The New Orleans-style romp, "Spy Balloon Blues," not only captures the essence of the city's musical spirit but also offers a witty take on modern surveillance. The jazzy "One Last Time" showcases Weevil's guitar virtuosity, while the traditional Chicago blues of "Scam Me, Scam Me Not" melds classic vibes with contemporary lyrics.


Recorded, mixed, and mastered by Gabor Vastag at Sounday Studio in Budapest, Hungary, the album boasts exceptional sound quality. The upbeat "Doctor Hay" and the pulsating "Tribal Affairs" showcase the band's tight dynamics, with each instrument finding its place in the sonic tapestry. "Gold Mine" takes an unexpected turn, addressing the harsh reality of African workers toiling for precious gems.


"If I May" doesn't just entertain; it delves into societal critiques with tracks like "Tingalingaling (Everybody's Qualified)" and "We Don't Learn Much," satirically addressing modern educational standards. The album culminates in the cleverly crafted "I Know Many Ways To Prove My Love," a nod to Willie Dixon's style, where Weevil humorously lists various ways to express affection.


The album's gatefold sleeve, adorned with an essay by Larry Eaglin and all the lyrics, adds a tactile charm to the overall presentation. Little G Weevil once again proves his mettle with "If I May," delivering a captivating blues experience that seamlessly marries tradition and innovation. It's a journey worth taking for any blues enthusiast.

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