Jimmie Bratcher Explores the Crossroads of Blues and Faith in "Far Enough"

Jimmie Bratcher – Far Enough

Self-release

www.jimmiebratcher.com

11 songs – 54 minutes In the intricate web of blues and spirituality, where the likes of Blind Willie Johnson and Sister Rosetta Tharpe once tread, Jimmie Bratcher strides confidently. His latest offering, "Far Enough," explores the intersection of blues and faith, delivering an 11-track album that delves into self-written compositions, showcasing Bratcher's seasoned guitar work and soulful vocals.

Having initially set aside his guitar to answer a call to the ministry, Bratcher returned to his musical roots two decades later in the late 1990s. Since then, he has woven a musical tapestry that combines blues-rock with a spiritual undertone, reminiscent of the blues journey of artists like J. B. Lenoir and Elmore James.

The album, Bratcher's 13th, unfolds with a blues-rock essence akin to early Eric Clapton, a primary influence on the Kansas City blues guitarist. The core band, featuring Eric Stark on keyboards, lap steel, and Irish penny whistle; Craig Kew on bass; Brandon Draper on drums and percussion; and Aaron Mayfield on organ, provides a solid foundation. The addition of backing vocals, acoustic guitar, strings, and a vibrant horn section enriches the sonic landscape, adding layers of color and texture.

"Memphis Slim," a vibrant tribute to the late singer/pianist, showcases the prowess of the horn section, injecting a lively spirit into the composition. Throughout the album, Bratcher's faith is woven into well-written songs, inviting listeners to reflect on parables and narratives without imposing a singular interpretation.

Songs like "My Name Is Sinner" hark back to the blues-rock heyday, with echoes of early Deep Purple, while "Living Here In Babylon" resonates with a Cream-like pop bridge. The piano-driven "Chains" unfolds into a classic power ballad, demonstrating the versatility of Bratcher's musical expression. The rock'n'roll flair of "Why Is It Don't We Dance Anymore" brings a toe-tapping rhythm complemented by punchy horn licks, offering a nostalgic nod to the days of danceable rock.

In "Don't Bring That Evil Around Here," haunting slide guitar adds a mystical dimension, emphasizing the blues roots beneath the spiritual narrative. The acoustic "When He Dreams (The Cowboy Song)" brings a touch of folk, reminiscent of "The Streets Of London."

Jimmie Bratcher's vocals and guitar work shine throughout the album, with Eric Stark's keyboard contributions seamlessly complementing the songs. The production, led by Bratcher and Stark, creates a well-balanced sonic landscape, capturing the essence of each track. Recorded at Covenant Studios in Kansas City and mastered by Larry Gann at Awestruck Studios, the album boasts a polished sound that enhances the listening experience.

"Far Enough" stands as a testament to Jimmie Bratcher's ability to navigate the crossroads of blues and faith. For those who appreciate classic blues-rock with a spiritual resonance, this album is a compelling exploration worth embarking upon.