Guy Tortora – Anywhere But Here
Turtledove Records
10 songs time – 53:30 Guy Tortora's sixth album, "Anywhere But Here," provides a soothing and introspective listening experience that transcends genre boundaries. Originally from Pasadena, California, Tortora now calls London, England, home, and his musical journey reflects the diverse influences and experiences that have shaped his unique sound. While he leans more towards a rootsy singer-songwriter style than traditional blues, hints of the blues weave through his compositions.
Tortora's musical palette includes vocals, guitars, and harmonica, with additional accompaniment from drums, keyboards, bass, and backing vocals. The album comprises ten tracks, each carefully crafted to create a warm and inviting sonic atmosphere. Co-producing alongside Tim Burns, Tortora brings his vision to life on "Anywhere But Here."
The National Steel Guitar takes center stage on "High Tide Deep Water," where Tortora's slightly gritty yet warm vocals effortlessly guide listeners through the song's narrative. A harmonica makes an appearance, adding to the rootsy texture of the track. "Withered On The Vine" showcases Tortora's adept guitar skills, with Janos Bajtala contributing a fiery organ solo that adds an extra layer of depth.
A sense of mystery and foreboding permeates "The Stranger," where acoustic slide guitar and brushed snare drum create an evocative backdrop. In "Pearl," Tortora's vocals take on a Bob Dylan-esque quality, and the organ work adds a nostalgic touch. "Go Back Home" features tentative guitar elements, and the song carries a hint of Dylan's influence, adding a touch of attitude to the track.
Tortora takes on The Grateful Dead's "New Speedway Boogie," offering a unique interpretation with some lyrical adjustments that enhance the overall experience. "Flower Street" takes a dreamy and folky turn, with tender guitar licks perfectly complementing the song's vibe. The Drifters' classic "Under The Boardwalk" receives a credible and charming rendition, complete with Spanish-style acoustic guitar and accordion.
The whimsical "Koffeeville" showcases Tortora's singer-songwriter prowess, accompanied by lilting piano notes. The album's title is derived from this track. "Goodnight & Good Luck" provides a gentle acoustic guitar instrumental that serves as a serene interlude before the album concludes. A surprise awaits at the end with an uncredited solo acoustic guitar and harmonica version of "Koffeeville," offering a warm and mellow farewell.
"Anywhere But Here" may not fit neatly into the blues category, but Tortora's sparse instrumentation, laidback feel, and thoughtful lyrics create a therapeutic and highly satisfying listening experience. The album invites listeners to embark on a visceral journey, exploring the landscapes of Tortora's musical and emotional landscapes with a tranquility that transcends genres.
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