Dudley Taft – Guitar Kingdom
self release
11 songs time – 49:40
Dudley Taft, the guitar virtuoso from Cincinnati, unleashes a sonic storm in his latest self-released album, "Guitar Kingdom." With 11 tracks clocking in at 49:40, Taft asserts his dominance in the realm of blues-rock, infusing it with elements of arena rock and heavy metal. If you're yearning for an adrenaline-fueled journey into the world of guitar mastery, "Guitar Kingdom" is your ticket to air guitar heaven.
Taft's guitar prowess, reminiscent of the 70s heavy bands like Montrose and Black Oak Arkansas, takes center stage throughout the album. Backed by a solid lineup of bass, drums, and keyboard, Taft's axe-wielding antics are a thrilling spectacle, ranging from explosive riffs to moments of melodic finesse. Of the 11 songs, Taft composed ten, showcasing his songwriting prowess alongside his guitar wizardry.
The album kicks off with "Old School Rocking," an ode to kick-ass rockers that sets the tone for the crunchy, high-energy experience that follows. The title track, "Guitar Kingdom," reinforces Taft's belief that the guitar is not just an instrument but a way of life—a sentiment echoed in the lyrics: "Guitar's a way of life, it's where my spirit guides, and it makes me feel alive."
In "Favorite Things," Taft extends his list of passions to include cars and his girl, creating a dynamic blend of rock nostalgia and personal expression. "Get Stoned" lives up to its name, delivering a noisy, head-banging experience, while "I Want More (Wild Young Days)" sees Taft reflecting on the past against a backdrop of heavy riffs and screaming guitar notes.
"The Great Beyond," the last original song, unleashes an all-out guitar assault, showcasing Taft's ability to push the boundaries of sonic intensity. A surprising turn comes with his take on Tinsley Ellis's "A Quitter Never Wins," where Taft adds his touch to a blues classic.
Shifting to the softer side, "Still Burning" emerges as a slow burner, with Andy Smith's organ providing a lush backdrop to Taft's melodic guitar work and yearning vocals. "Darkest Night" takes a deliberate pace, featuring melodic acoustic guitar—a welcomed change of pace that highlights Taft's versatility.
Throughout "Guitar Kingdom," Taft's gruff and mannered vocals perfectly complement the energy and intensity of his guitar playing. While the album is a relentless blast of energy, Taft skillfully tempers it with moments of introspection and melodic beauty.
As a self-produced endeavor, "Guitar Kingdom" not only showcases Taft's technical brilliance on the guitar but also underscores his thoughtful approach to lyrics. While not overly deep, the lyrics are delivered with sincerity, breathing new life into the genre of guitar-rock. Whether you're a dedicated guitar freak or a music enthusiast, "Guitar Kingdom" promises a satisfying feast of Taft's guitar-driven artistry.
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