Douglas Avery's "Take My Rider": A Harmonious Journey through Blues Traditions

Douglas Avery – Take My Rider

Greenwave Music

www.douglasaverymusic.com

14 tracks

Douglas Avery, a multifaceted artist hailing from Los Angeles, unveils his musical prowess in "Take My Rider," an album that seamlessly weaves through various blues traditions. With a rich background in jazz, rock, and blues, Avery brings together an ensemble of skilled musicians to deliver 14 tracks that showcase his songwriting finesse, harmonic sensibilities, and a deep-rooted love for West Coast music.

The album opens with a rendition of Billy Boy Arnold's "Bad Luck Blues," setting the stage with a West Coast jumping blues flavor. Avery's adept harp playing and well-executed guitar work create an engaging atmosphere right from the start. The title track, "Take My Rider," follows, slowing down the tempo to deliver a down-home blues feel. The interplay between the slide guitar and harmonica enhances the emotional depth of the song.

"Malibu Burnin'" injects a dose of rock into the mix, with wailing slide guitar and gritty harp taking center stage. The energy continues with "Just Keep Loving Her," a swinging track where Avery pays homage to Little Walter's harmonica legacy. Transitioning to a more traditional blues vibe, "Jelly, Jelly" features stripped-down instrumentation, allowing Avery's harp and the guitar to shine.

"Blind Owl Boogie" emerges as a standout, showcasing a big, jumping instrumental piece with infectious energy. The slower tempo of "How Long Can This Last?" introduces a thoughtful blues narrative, complemented by the interplay of horns, piano, harp, and guitar. Avery's expressive harp takes the spotlight in the solo rendition of "Leaving Trunk," delivering a raw and emotional performance.

The funk-infused "Good To Me" stands out as a mostly instrumental track with Avery skillfully blending scatting and harmonica. A rendition of John Mayall's "Sonny Boy, Blow!" swings with lively piano accompaniment and showcases Avery's prowess on the harmonica. "Safety First" merges West Coast blues traditions, channeling influences from Blind Willie McTell and Big Joe Turner. The inclusion of a dobro in "Riding With The Devil" transports the listener to the Delta, creating a slick instrumental piece where Avery's harp takes the lead.

"Green Wave" introduces the flute into the mix, offering a heady and jazzy instrumental composition that adds a new dimension to the album. Concluding with "Looking Over A Rainbow," Avery embraces a thoughtful ballad, accompanied by simple piano, providing a poignant ending to the musical journey.

Avery's distinctive vocal style, characterized by an intriguing breathiness, adds a unique touch to the album. His mastery of the harmonica is evident throughout, creating a cohesive blend with the talented supporting musicians. "Take My Rider" successfully merges West Coast and traditional blues sounds, infusing them with Avery's individual artistic expression.

This album is a testament to Avery's musical journey, and it offers an enjoyable experience for blues enthusiasts and beyond.