DaShawn Hickman and Charlie Hunter: A Sacred Steel Journey in "Drums, Roots & Steel"

DaShawn Hickman, with Charlie Hunter – Drums, Roots & Steel

Little Village Foundation

7 Tracks 36 minutes

DaShawn Hickman, in collaboration with guitarist Charlie Hunter, takes listeners on a soul-stirring journey with their debut release, "Drums, Roots & Steel." The album, under the banner of Little Village Foundation, pays homage to the sacred steel tradition that found its place in the worship services of The Church of the Living God.

Hickman's introduction to the sacred steel genre echoes back to the late 1990s when Arhoolie Records released influential albums showcasing lap and pedal steel guitarists in worship settings. Notable artists like the Campbell Brothers, Calvin Cooke, and Aubrey Ghent emerged, creating a musical surge. Fast forward to the present, and Hickman, having played with the Allen Boys, North Carolina's sole touring sacred steel band, stands at the forefront of the genre's new generation.

The project's inception traces back to the 2019 North Carolina Folk Festival, where Hickman crossed paths with Charlie Hunter. A partnership blossomed, giving rise to "Drums, Roots & Steel." Hunter, recognized for his guitar virtuosity and innovative instruments, suggested a focus on Hickman's lap steel guitar, shaping the album's unique sonic landscape. With percussionists Atiba Rorie and Brevan Hampden, Hunter on bass, and vocals by Hickman's wife, Wendy, the ensemble embarked on a musical exploration.

The album opens with "Saints," a reinvention of the classic gospel hymn. Hunter's rich bass lines, layered percussion, and Hickman's lap steel improvisations propel the traditional into uncharted territory. "Shout" follows, a spirited call and response between DaShawn and Wendy, capturing the essence of praise.

"Just A Closer Walk With Thee" showcases Hickman's deliberate approach, avoiding excess notes to instead explore the melody's nuances. The song becomes a canvas for the lap steel's expressive potential, creating moments of musical introspection.

"Morning Train" features Wendy's soulful vocals against Hickman's locomotive-inspired lap steel, building to a percussive climax. "Don’t Let The Devil Ride" follows suit, with shared vocals and a measured, understated delivery from Hickman.

The album concludes with renditions of gospel standards, "Precious Lord" and "Wade In The Water." These tracks emphasize Hickman's ability to infuse familiar tunes with fresh perspectives, offering a captivating blend of traditional and innovative elements.

DaShawn Hickman's mastery of the lap steel guitar and Charlie Hunter's adept bass work create a seamless fusion of gospel, African, and Latin rhythms. "Drums, Roots & Steel" not only pays homage to sacred steel traditions but also positions Hickman as a noteworthy artist nominated for two 2023 Blues Blast Music Awards. In a world where tradition meets innovation, this album stands as a testament to the enduring power of gospel music, bridging generations and musical genres.