The Count Basie Orchestra – Basie Swings the Blues
Candid Records
12 songs – 48 minutes In the vast expanse of American music history, the name Count Basie stands as a towering figure, and even four decades after his passing, the Count Basie Orchestra, now under the baton of Scotty Barnett, continues to weave its magical blues tapestry. The latest testament to this enduring legacy is the album 'Basie Swings the Blues,' a transcendent blend of timeless blues rhythms and a stellar lineup of blues royalty.
From the 1930s until his passing, Count Basie delivered an elevated version of the blues to audiences worldwide, and this album stands as a tribute and evolution of that distinguished tradition. Under Barnett's direction, the orchestra breathes new life into Basie's signature sound, blending it with contemporary flair and a star-studded cast of blues luminaries.
The lineup reads like a who's who of the blues world, featuring Shemekia Copeland, Bettye LaVette, Bobby Rush, Buddy Guy, Charlie Musselwhite, Robert Cray, Keb' Mo', and Castro "Mr. Sipp" Coleman, among others. Each artist brings their unique touch, turning this album into a blues summit that has already earned its spot among Grammy nominations.
The inception of this blues odyssey began with Barnett's idea, sparked during the Blues Hall of Fame induction of Count Basie four years ago. Inspired by the Delta blues, Barnett envisioned a musical exploration that would pay homage to the roots of the genre. The result is a journey into the heart of the Delta, a territory the orchestra had never ventured into before.
Recorded at Eastwest Studios in California and produced by Barnett, John Burk, and Steve Jordan, the album boasts impeccable arrangements and the extraordinary talent of the orchestra. Barnett's trumpet sets the tone for the opening track, "Let's Have a Good Time," featuring Mr. Sipp, a Basie-style call-and-response that segues into a rock-solid shuffle. It's a showcase of Basie class and Sipp's undeniable sass.
Bobby Rush takes center stage with "Boogie in the Dark," delivering his signature vocals and harmonica skills over a silky-smooth arrangement. Shemekia Copeland infuses power into "I'm a Woman," a downhome take featuring Buddy Guy and Charlie Musselwhite. The torch then passes to Keb' Mo' and Lauren Mitchell for a soulful rendition of "Down Home Blues," infusing new life into the Z.Z. Hill classic.
Bettye LaVette leaves her mark on "Stormy Monday," paving the way for Robert Cray's big band debut with a slow-and-steady version of "The Midnight Hour." Mr. Sipp returns with "Dirty Mississippi Blues," a gritty creation resonating with the echoes of the cotton fields.
The instrumental prowess of the orchestra takes the spotlight with "The Patton Basie Shuffle," featuring guitarist Charlton Johnson, allowing each member to shine. Ledisi graces the album with her sophisticated vocals on "Evil Gal Blues," showcasing a seamless interplay with Doug Lawrence's flowing tenor sax.
The album's closing tracks bring out the best in the orchestra, with Jamie Davis taking command on "Look What You've Done" and Carmen Bradford stepping forward for "Just for a Thrill." The grand finale features the legendary George Benson, whose dazzling fretwork on "Rock Candy" leaves an indelible mark.
'Basie Swings the Blues' is a triumph that transcends time and tradition, an album that captures the essence of Count Basie's genius while propelling the legacy forward. It's a musical journey that demands attention, a blues masterpiece that will linger in the hearts of listeners.
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