Chicago Kings – "Return To 50’s": A Salute to Chicago Blues Heritage

Chicago Kings – Return To 50’s

Self-Release – 2022

www.chicagokings.com.mx/en

14 tracks; 56 minutes

The Chicago Kings, hailing from the vibrant music scene of Mexico City, pay homage to the roots of Chicago electric blues with their latest release, "Return To 50’s." Formed in 2019, this quintet brings authentic Chicago blues from the late 1950s and early 1960s to life, showcasing their dedication to the vintage sound and the blues masters who pioneered the genre. The album, released independently, spans 14 tracks and captures the essence of the Chicago blues legacy.

The Chicago Kings consist of harmonica player Ricardo Peralta, who also lends his vocals on four tracks, Joel Zepeta as the lead vocalist on six tracks, Moises Mendez on guitar, Angel Miranda on double bass, and Anna Ibarra on drums. With a commitment to authenticity, the band recorded the album using vintage equipment, resulting in a sonic journey reminiscent of the blues classics that inspired them.

The album kicks off with "Off The Wall," a Little Walter tune that sets the stage for the Chicago Kings' musical prowess. Ricardo Peralta's harmonica skills shine, paying homage to the legendary Walter's sound. The blues journey continues with "Blue Light," another Little Walter gem where Ricardo extends his harp mastery in an evocative slow blues.

Ricardo steps into the vocal spotlight for "Nobody But You," infusing the track with his Spanish-accented vocals. His singing may carry a distinct accent, but his passion for the blues and adept harp playing add authenticity to the performance. The band's respect for the Chicago blues greats extends to Jimmy Rogers, with Ricardo leading on "What Have I Done" and "Act Like You Love Me," capturing the essence of the classic blues era.

Joel Zepeta takes the lead vocals on several tracks, demonstrating his strength and versatility. "You're The One," a Jimmy Rogers tune, showcases Joel's vocals, allowing Ricardo to complement the performance with his harmonica artistry. Joel continues with the infectious bounce of "Can't Get No Grindin'," credited to Memphis Minnie, a track that pays tribute to Muddy Waters with a recognizable groove. The band delivers standout renditions of Muddy's "Long Distance Call" and "Blow Wind Blow," capturing the driving yet loose rhythms that define the Chicago blues legacy.

Joel Zepeta adds his touch to Sonny Boy II's "Don't Start Me To Talkin'" and Walter 'Shakey' Horton's "Hard Hearted Woman," infusing the tracks with spirited vocals. The rhythm section, anchored by Angel Miranda's double bass and Anna Ibarra's drumming, remains solid and unwavering throughout the album, providing the foundation for the band's authentic blues sound.

The Chicago Kings showcase their instrumental prowess on Pee Wee Crayton's "Blues After Hours," highlighting guitarist Moises Mendez in a leisurely stroll through this classic. The album's lone original, "Mojo Boogie," is a short, sharp, harp-led boogie that captures the essence of the blues with a contemporary twist.

In a blues landscape often dominated by loud and rock-influenced sounds, the Chicago Kings' "Return To 50’s" serves as a refreshing reminder of the rich legacy of Chicago blues.

The album transports listeners back to a bygone era, celebrating the roots of the genre and the influential artists who shaped its course. The Chicago Kings deliver a heartfelt salute to the blues pioneers, proving that the spirit of Chicago blues knows no borders.