Brother Ray Lemelin – Dark/Out of Phase
Self-release
11 songs – 65 minutes
Brother Ray Lemelin, the seasoned Alberta blues musician, has unveiled his latest acoustic masterpiece, "Dark/Out of Phase." Born and raised in the Eastern townships of Quebec, Lemelin brings decades of musical experience and collaborations with blues luminaries like Clarence "Gatemouth" Brown and Lowell Fulson to this soulful, contemplative album.
With a mix of original compositions and reimagined classics, Lemelin, accompanied by a stellar ensemble, delivers a collection that captivates the listener with its timeless bluesy allure.
The album opens with Jimmie Rodgers's "Any Ol’ Time," where Lemelin's vocals echo a bygone era, and Tim Williams adds a touch of magic with his skillful slide guitar. This sets the tone for the entire album—a musical journey that invites careful attention to each note and nuance. Ray Bonneville's "Gust Of Wind" follows, embracing a slower pace, enriched by Lemelin's emotive singing and Williams's soul-stirring slide guitar.
"Litle Boy," an original by Lemelin, showcases the banjo mastery of Tim Williams, while Howard Schmenge Carter's accordion provides delicate support, creating a textured and engaging atmosphere. The album breathes life into Bill Withers's "Grandma’s Hands," opting for a stripped-down, blues-centric interpretation that emphasizes the underlying heartbeat of the song.
The instrumental "Los Hombres Del Norte" showcases Carter's accordion prominently, offering a delightful Latin-tinged flair. The title track, "Out Of Phase," delves into a lyrically bleak landscape but is redeemed by Lemelin's adept fingerpicking and the haunting accordion.
"Best Of Friends" introduces a Latin-tinged rhythm, creating an infectious groove. The reimagining of Muddy Waters's "You Gonna Take Sick and Die Some of These Days" is a highlight, as Lemelin infuses the classic with an airy, brooding quality that exudes a sense of despair.
The album concludes with three self-penned tracks. "Really Isn't Just About Me" features stop-start bass from Bob Richardson and a captivating Rap verse. "Late Night Rendezvous," an instrumental piece, transports listeners to the ambiance of a Paris boulevard on a Saturday night. The final track, "Ain't No Use In Worryin'," wraps up the journey with Lemelin's soulful vocals and a nuanced guitar solo.
Recorded at Slaughter House Studio in Calgary, Alberta, "Dark/Out Of Phase" exudes warmth and authenticity. Produced by Lemelin and recorded by Mike Fournier, the album captures a rich sonic tapestry, allowing each instrument and nuance to shine.
In its entirety, "Dark/Out Of Phase" is a beguiling album that offers a feast for discerning ears. Brother Ray Lemelin has crafted an intimate and contemplative blues experience, making this release a must-listen for aficionados and newcomers alike. Warmly recommended, "Dark/Out Of Phase" is a testament to the enduring power of blues music.
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