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Blues Beat

Blues Bliss: Lucky Losers' Standin' Pat


San Francisco's Lucky Losers, comprising Cathy Lemons and Phil Berkowitz, have returned with their fifth album, "Somewhere in the Middle," an all-original masterpiece that showcases their musical prowess and storytelling finesse. The duo, with Cathy contributing nine songs and Phil four, navigates a musical journey rich with blues, soul, and Americana influences. Backed by a stellar ensemble of seasoned musicians, the album was recorded at Kid Andersen's Greaseland studio, where Kid's multi-instrumental talents shine alongside Chris Burns on keys, Endre Tarczy on bass, and Jon Otis on drums. The addition of horns by Terry Hanck, Michael Pelonquin, Mike Rinta, and Brian Catania further elevates the sonic tapestry.


The album kicks off with the spirited "Pack Up The Bags," a lively track that sets the tone for the journey ahead. The horns, especially the vibrant trombone, inject a sense of swagger, laying the groundwork for what unfolds as a diverse and rich musical experience. "Somewhere In The Middle" follows, introducing a deep, funky sound with the delightful blend of clavinet and wah guitar, urging listeners not to be confined to extremes but to find truth in the middle of the river.


"Rich Strike" takes an unexpected turn, narrating the tale of an underdog winning the Kentucky Derby. Kid's banjo and Phil's harp inject energy, while the horns inspire a desire to "Try New Orleans" with its infectious second-line rhythm. The final track with the horn section, "Down In Memphis Town," delves into historical events, referencing MLK's assassination and painting a gritty picture of Memphis, deviating from sugar-coated portrayals.


"You Can’t Lose With A Winning Hand" unfolds as a piano-driven, foot-tapping tune where Cathy and Phil engage in playful banter about betting habits. The duo shifts gears with "Rust Belt Blues," a jaunty rhythm that belies the underlying disquiet about the decline of former industrial areas, presenting a serious commentary on the neglected population.


"High Two Pair" introduces a soulful vibe with warm organ tones, tuneful guitars, and harmonica, setting the stage for Phil's plea in "Finish What You Started." The track, adorned with relaxed harp work, captures a moment of reflection and commitment. In "They Wrecked My Town," Cathy addresses societal issues, listing those responsible for the current state of affairs. The stately ballad, accompanied by Ian Lamson's poignant guitar solo, unfolds over six minutes of emotional intensity.


The album's grand finale, the title track "Somewhere in the Middle," features Terry Hanck's tenor sax prominently, creating a celebratory atmosphere. Cathy and Phil, content with their musical journey, express satisfaction, making for a joyful conclusion to an album that effortlessly balances seriousness with musical delight.


"Somewhere in the Middle" is a testament to Lucky Losers' ability to seamlessly weave narratives into diverse musical landscapes. Cathy Lemons and Phil Berkowitz deliver an engaging, thought-provoking album that transcends genres, firmly establishing their presence in the contemporary blues and roots scene.

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