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Big Harp George Unleashes Harmonic Brilliance in "Cut My Spirit Loose"


Big Harp George – Cut My Spirit Loose

Blues Mountain Records

13 tracks/55 minutes In the realm of blues, few artists possess the versatility and storytelling finesse that Big Harp George brings to his latest release, "Cut My Spirit Loose." George Bisharat, the former criminal defense attorney turned blues singer, harmonica maestro, and songwriter, has cultivated a compelling musical journey in this fifth installment, showcasing not only his instrumental prowess but also a rich amalgamation of humor, storytelling, and diverse musical styles.


The album kicks off with the lively and infectious "It's Tuesday," setting the tone with a swinging beat, dynamic horns, and George's vibrant harmonica work. His vocals, accompanied by harmonious backing, create an engaging atmosphere as he humorously elevates the mundane, declaring Tuesday to be cool, even with the trash duty.


"Pile Driving Sam" follows suit with a heavy bass line, slick horn arrangements, and cheeky lyrics about ladies admiring the titular Sam for his prowess. The instrumental interlude "Bustin Out" showcases a Latin flair, with George's harmonica dancing alongside the horns, creating a joyous and vibrant atmosphere.


A standout track, "She's A Woman," a Beatles cover, undergoes a transformation into a West Coast rhumba, infused with organ interplay and George's distinct harmonica tones. The versatility of George's musical expressions continues with "My Dog Is Better Than You," a jazzy West Coast blues with excellent instrumental solos and tight pacing.


"Jump Abu Luka!" invites listeners into a delightful instrumental with shouted fill-ins by the Sons of the Soul Revivers, exhibiting George's harmonica finesse amid energetic accompaniment. The intriguingly titled "Prince of Downward Mobility" tells a tale of failure with Bisharat's trademark wit, accompanied by poignant harmonica licks and expressive instrumentation.


"Ranty Town" unfolds as a whimsical narrative with creative lyrics suggesting various modes of departure for a departing lover, complemented by soulful harmonica and instrumentals. The slow, straight blues of "Behind the Eight Ball" offers a change in tempo, emphasizing emotion and musicality.


"Take a Knee" ventures into socially conscious territory, blending acoustic guitar with spiritual harmonica and delivering a poignant message on the Black Lives Matter movement. The instrumental "Sunrise Stroll" exudes lightness, featuring outstanding harmonica, guitar, and horn performances.


The album reaches its conclusion with "Captain Jack," a gospel-infused piece where George's emotive vocals, harmonica, and the Sons of the Soul Revivers create a dark and despair-filled atmosphere.


"Cut My Spirit Loose" not only showcases Big Harp George's mastery of the chromatic harmonica but also highlights his songwriting prowess and the exceptional talents of his accompanying musicians. From lively and humorous tracks to socially conscious narratives and soulful instrumentals, the album traverses a spectrum of emotions and styles, leaving listeners captivated and eager for more.


This release stands as a testament to Big Harp George's evolution and his commitment to delivering superb blues compositions. "Cut My Spirit Loose" is a must-listen for blues enthusiasts, promising to garner attention and accolades in the upcoming award seasons. George Bisharat and his ensemble have crafted a blues gem that deserves recognition and applause.

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